A Whole New Way of Seeing Annexe – Site Change

The time has finally come. We’re officially going to stop using the WordPress site as of today. We’ve set up a new subscribing/newsletter button over on the new site so you don’t have to miss out on getting our writing straight to your inbox. Head over to our flashy new Annexe site and on every page under the magazine tab, there’s a little form on the right for you to put in your email.

We’ve upgraded our output too, so instead of getting all the articles as and when they are posted, we’ll be sending out a properly drafted newsletter every fortnight with the latest articles linked and a few extra bits that we think you’d like to hear about.

A massive thank you to everyone who has been reading since the beginning, you’ve helped make Annexe what it is. Now come with us to the next step and enjoy our site in all it’s swanky glory.


– Nick & the Annexe Team


Review: Flying into the Bear – Chrissy Williams

[Remember, delicious reader, the wordpress is now a secondary source for all things Annexe. The first port of call for all Annexe material is http://www.annexemagazine.com ]

into the bear

A few years ago, the Norwegian electronic duo Röyksopp released two paired albums. One was Junior, a bouncy light-hearted romp through party pop. The other was Senior, a more introverted and complex record. Interesting to hear, but ultimately less hooky. Fans of the duo vow to love both albums equally, but secretly they all prefer Junior. The immediate fun atmosphere is exactly what the ear needs to deliver a happiness boost to the system.

Chrissy Williams, maybe without meaning to, has written her own pair much in the style of Junior and Senior. The first book, The Jam Trap (her last book before Flying into the Bear, which came out last year through Soaring Penguin Press) is playful and humorous, filled with stories in the style of prose poems that burst with a sort of sentimental wit. Flying into the Bear (published by Happenstance) is more mature both is style and in content. Much like the aforementioned Scandinavian songsmiths, Williams has shown, eloquently and comprehensively, two completely different sides to her creative endeavours. Though that is perhaps where the similarity ends. Williams will not have to suffer for turning to a more introspective mode of writing. Flying into the Bear is charged with an emotional gravity that far surpasses that of The Jam Trap, making it a more engaging and even more entertaining read. Continue reading

Words on Cities

Our latest event is fast approaching! Iain Sinclair, Tom Chivers, Katy Darby and Clare Fisher will be allocuting on the city. Click the image for full details.

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Review: Sins of the Leopard – James Brookes

[Remember, dear reader, that this is a duplicate article. All Annexe fare goes up directly on http://www.annexemagazine.com now]

Michael Schuller reviews James Brookes’ impressive debut poetry collection.


In the practice of woodturning, the block is placed against the lathe, which cuts against it on each rotation to expose a cross-section of the grain. That image – of the revealing of a mesmerising pattern latent in the structure of the material itself – is as close as I can come to summarising the poetry of James Brookes. He is a poet who has an unusual command of the language, the sort of writer that one images sites in front of a pile of books with a scalpel, rather than a page with a pen.  Continue reading

Event – Words on Cities – Iain Sinclair, Tom Chivers, Katy Darby and Clare Fisher

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We’re proud to announce that our next event will be at the end of this month. A night all about the city. Read all about it further down, and then come along, why don’t you!

The cityscape has long been an influence on modern writing. As a setting, a starting point or even a medium, the urban landscape draws a particular kind of creation from writers.

Annexe has brought together four of the finest writers working with the urban condition for an evening of talks and performances that display their hugely varied takes on the city.

Words on Cities – Iain Sinclair, Tom Chivers, Katy Darby, Clare Fisher
Thursday 25th April || 7.30pm
£7 (buy tickets here)
Toynbee Studios
28 Commercial St
E1 6AB

On the bill we have:

With a long-standing history of poetry and prose, Iain Sinclair is sits at the leading-edge for writing that deciphers the hidden aspects and connections of London. His work has reinvigorated the call for psychogeographical exploration across the globe. For Words on Cities, Sinclair will present a talk based around his forthcoming book American Smoke: Journeys to the End of the Night. When Iain Sinclair was first setting out, it was mainly American writers that influenced him, but he never visited the USA. Locked down in Hackney, the transatlantic mass was as unreal as Kafka’s ‘Amerika’.

Tom Chivers is a poet and editor residing in London. His recent work, with the Cape Farewell project, has led Tom to investigate the changing landscape of London and unearth an urban geography that has been covered by the constant growth and renewal of the capital city. His talk will focus on his practice of ‘psychogeology’ and his migration through the lost rivers of London.

Katy Darby is a writer, an editor, a teacher and the founder of the incredible storytelling night Liars League. Katy will be reading a selection of her prose work based around London.

Clare Fisher’s current project The City in my Head is an exploration of London through fiction. Each story shows a snapshot of a particular area, constructed from human experience. Claire will be reading a selection of works from the collection.

XZ#1 – Annexe’s new online fiction series

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“The idea is to dissect various genres of writing, film and drama by reconstructing them from the ground up. One story at a time.” This was the spiel we threw at writers to tell them about our new project. We expected such lofty sentences to be thrown back, tied up with a derisive sneer. However, it turns out we know some rather inventive and experimental writers!

Welcome to XZ, our new online fiction project. The aim is to get inside stories and see how different writing styles can join forces to create something fresh, but recognisable. To do this, we’re taking particular genres/styles/species of fiction and breaking them down, looking under the hood and building them back up in smaller chunks.

Each story gets six writers and each writer gets one section. They are given a bare framework to work on, everything else is up to them, and  they aren’t told what the other five writers are coming up with.

The first issue has worked out far more splendidly than we could have hoped, with a story rife with suspense and dangerous turns. It’s the classic tale of a hardboiled detective, employed by a mysterious woman to investigate a murder.

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Click to dive straight in and enjoy the story, or feel free to download it at consume at your leisure.

A special thanks go to the six magnificent authors of this tale: Ben Gwalchmai, Komal Verma, Akiho Schilz, Jack Swain, Eley Williams and John Boursnell.


Part of the project is to invite a bit of discussion from you, the reader. If you want to comment of the project in any way – maybe you have an idea about breaking the story into chapters, or you didn’t like the characters attitude, or you find yourself in sleuth-style experiences and can relate – please leave a comment below. We want to generate an active back-and-forth about the project. The most discussed topics will be added to the issue in a month’s time. 

Bodies Rising to the Surface – A review of The Walbrook Pilgrimage

[Remember, dear reader, that this is a duplicate article. All Annexe articles are posted primarily to www.annexemagazine.com – Sooner or later they won’t be here at all!]

The Walbrook Pilgrimage
Review by Michael C. Schuller



When I was a child, a creek ran behind our house. Well, we called it a creek, but really it was an invention of the necessities of drainage in a city. For about six hundred yards it ran between the back gardens of the houses on our block where, at the end, it vanished into a hole beneath a street, presumably to make its way to the river. If you were to chart out the history of the games my brothers and I played, whole civilizations rose and fell on the banks of that runnel. An entire generation of neighbourhood kids knew it as a major landmark. Continue reading

The City in my Head – an interview with Clare Fisher

[Remember folks, this is a duplicate article. All Annexe fare will be posted primarily to http://www.AnnexeMagazine.com. In a month or so, we’ll post only there! Make the switch.]


South London writer, Clare Fisher, has been crafting a series of short stories that exist as snapshots of the city. Different aspects and different perceptions of London grow out of Fisher’s narrative description. We caught up with her to chat about the project. Continue reading

The Fall by Paul Nash

[Remember folks, this is a duplicate article. Annexe posts primarily to http://www.annexemagazine.com now.]

Grown-up grandchildren visit their grandmother after a fall. Paul Nash’s story unravels a family’s sadness in their grandmother’s final days.


The Fall
by Paul Nash

They had known of course, that she was getting older. You could not help but notice she was getting older. They were all getting older. And, to be honest, it had initially started as a bit of a joke whenever they mentioned how small she was getting these days. Smaller physically definitely, and perhaps, if they cared to admit it, smaller in herself too.

There had been brief discussions about dementia. Of Alzheimer’s. Of trips to the doctors. Of tests. Initially these merely amounted to generic statements in and around the same theme: she’s getting older; these things are to be expected; at her age.

But it did come as a shock, when she fell.

There were the usual hurried phone calls and a visit, when it could be arranged, of the grown-up grandchildren.

For the grown-up grandchildren it was both a trip down memory lane and a fraught experience. They had spent, about fifteen years earlier, many afternoons after school at their grandmother’s flat. Mainly while their mother was still at work and generally on Fridays. In a way coming back to her sheltered accommodation block, in the same town they went to school, represented a revisiting of an extension of their childhood. Of afternoons spent sitting in her tiny bric-a-brac filled living room, eating sausages and beans, or spam and chips, and listening to tales of what the “bitch” next door had been up to that week. Which generally amounted to said “bitch” drying her washing on the line outside their grandmother’s windows. Which was, to be fair, exactly what the line was for. But any suggestion of this fact was duly given short shrift, and might delay the arrival of cheap and cheerful Bakewell tarts. So these suggestions were kept to a minimum.

So coming back, even these circumstances, was at least initially an almost pleasant, sepia-tinged experience. Until they actually entered the flat. The cliché held true: everything seemed so much smaller than they remembered. Including their chair-bound grandmother. There was an indefinable, almost acrid illness about everything within the flat. Their grandmother was a lot more fragile than any of the grandchildren had seen her before, even with previous seemingly much more serious health scares. There was a pallor about her that suggested defeat. On her arm was the tell-tale almost skin-tone arm brace, the result of the fall that had briefly hospitalised her. She remained firmly seated in her chair. It appeared that she was spending all day and all night in this small chair. To all intents and purposes this tiny corner of a tiny room now represented her entire world. Everything was arranged around her to be within relatively easy reach, and arranged in a minute detail that would become more apparent during their stay. Their relatively short stay.

There was her walking stick, leaning at a precise angle against the arm of the chair. Which in turn was kept in place by the basket bin at the foot of the stick. Directly in front of her was a tallish pouf, wrapped in a plastic sheet, with a tray on it for the little food she could actually manage. On the side table there was a hospital style plastic water receptacle. Again, very definitely place.

And then there was the blanket. The innocuous, thick, square patterned blanket wrapped tightly over her legs. She spent an inordinate amount of time fussing over the blanket as they discussed, or rather tried to discuss, if she was feeling better? was she happy with the carers? was there anything they could do? But it was difficult to rouse much of a concerted response. So it was left to them to do most of the talking. She couldn’t even bring herself to call her next door neighbour a “bitch”. Which was telling in itself.

As the grandchildren busied themselves trying to be helpful and making the one thing they had been told she would eat – ham sandwiches on white bread – they couldn’t help but notice with some sadness and self-reproach that this is exactly what the carer before them had brought, and was in fact, what the previous family trip had brought too. She must have been eating ham sandwiches day in, day out. So they gingerly ate their own sandwiches and watched sadly as she stoically mushed her own meek portion.

The one constant was the obsessive re-arranging of and fussing over the blanket over her legs. Which continued unabated even when her strapped and broken arm was clearly being hurt by her insistent hectoring of the blanket. She repeatedly tucked it down the sides of her frail body, making sure it covered her legs, but very pointedly that it did not go under her feet. This continued all the way through the grandchildrens’ well-meaning but ineffective attempts to lift her spirits, to try to gleam some source of positive progression in how she was feeling.

There was a sudden, yet slow growing look of discomfort, of panic. The grandmother clearly needed to leave the chair, but also wanted to avoid the trauma as long as possible. But eventually the moment came: she needed to go to the toilet. There were efforts to try to help her, which she attempted to bat off until it became clear she did in fact need their help. Eventually she was helped and guided to the toilet by the youngest grandchild. The grandchildren were then left in the tiny living room alone to shoot hasty glances at each other, full of awkward sadness and no small amount of guilt. But there was nothing they could do. Especially considering the very difficult nature of their relationship over the last ten years or so. She had always been a difficult, even spiteful woman with adults. (Children were more her forte.) They were already doing more, just by being here at all, than was realistically expected of them. But still the guilt remained.

One of them made the mistake – when their grandmother returned awkwardly, painfully, and full of inexplicable shame – of trying to help her with her walking stick. She had placed the stick back in its very exact place, against the arm of her chair. But in her painful haste to sit down the stick had fallen. They rushed to help her put it back in what they thought was the most accessible position. But it was not the correct position. Their grandmother’s anger at this breaking of her invisible rules was instant, panicked and surprisingly aggressive. It was the anger of confusion and fear. It actually scared her, this stick being ever-so-slightly out of place.

In her growing anger and shocking vehemence she bitterly accused them of moving other objects around the room while she was out, as if they were playing a grim joke on her. After many kindly protests that they had done no such thing, and even carefully showing her that they had not, they had to effectively agree to disagree. The routine of the blanket then began all over again. The folding, and the re-folding, the placing just so, the examining, the making sure the pattern aligned with the now almost visible invisible lines of her small insular world. All the while smoothing the blanket into place with a growing air of open desperation. Then the stick again. Then the water receptacle. Before her attention inexorably turned back to the blanket once again. Always the blanket. It was finally horribly clear to the grandchildren just how far the dementia had taken hold.

The grandchildren all had other places to be. So they busied themselves washing and cleaning up the kitchen, talking of another possible visit next month. She ignored them now, and focused solely on the blanket over her legs.

Near the end of the visit, in a sudden moment of clear-eyed clarity she called the eldest grandchild a “smart boy”. Nominally because of his shoes – she was once a seamstress and always professed a love of “fashion” – but perhaps mainly because, in that briefest of moments, she could see in his eyes that he understood what was really happening here. She was dying.

But it was also an admonishment.

They said their goodbyes.

They all drove home and went their separate ways.


Two of the grandchildren were together when they received the next late-night, hesitant phone call from their father. Their grandmother had fallen again and was back in hospital. The grandchildren expressed a desire to come back early the next morning for the first visiting session of the day. But even that would be too late – her body was shutting down. She would be dead before they even got on the train.

The “smart boy” asked their father what had happened. There was nearly always a carer or her long-suffering “companion” with her, after all. It appeared she was still insisting on sleeping in her chair and, their father supposed, she had simply got up in the middle of the night and fell.

Most probably she had tripped over her blanket, which must have finally come loose during the night.



Paul Nash is a London-based writer and works in publishing production. He has written and co-produced and number of successful comedy and drama short films, including Salsa Guy and Stand & Deliver. He also writes sketches and script edits for new sketch group Treacle Town. Paul is currently developing a number of television comedy and comedy drama projects, and writing more short fiction.

Image by Paul Burn.

Ta Da! Our new site is unveiled!

Today we finally pulled the cover of our brand new site! All singing, all dancing. New and improved. Better than ever.

new site


WordPress has been a wonderful home to us for over a year and a half now. It’s straightforward layout has been a joy to work with, but now we’ve decided we want to cut the .wordpress. from our name and exist on our own two feet at http://www.annexemagazine.com. Like a bird flying from the nest (actually more like a teenager leaving home, because we’re still utilising the WordPress CMS in true semi-independent fashion) we will be posting primarily to our dedicated domain. It all looks quite fancy over there too! The layout is updated, though not too distanced from the look you’re used to. Head on over and have a look. If you spot anything that needs changing, drop us a line and we’ll thank you for your vigilance.

If you’re subscribed to us via WordPress, not to worry. We’ll post duplicate articles here until we’ve found a suitable replacement for the subscription system.

Without further ado, I declare the new Annexe Magazine site OPEN!